Is Tina Fey Pulling a Night at the Roxbury? Because Everybody Wants Her in the SNL VIP Room!

Estimated reading time: 4 minutes

 

Source: Lorne Michaels Says Tina Fey Could ‘Easily’ Replace Him as Head of ‘SNL’

The Details:

You’ve got to love the smell of a succession plan in the morning. So, apparently, Lorne Michaels, the TV wizard behind the curtain of “Saturday Night Live,” thinks Tina Fey has what it takes to don his executive producer crown. Michaels, who has been managing SNL’s comic chaos since the discovery of fire, says that the queen of deadpan, Fey, could ‘easily’ fill his legendary loafers.

Now, for anyone living under a pop culture rock, let’s clarify: we’re talking about Tina Fey. Yes, the woman who made eyeglasses and politics funny again with her Sarah Palin impression that was so spot on, people still think she can see Russia from her house.

Alright, enough dilly-dallying. Let’s chop this news up into bite-sized pieces that are easier to mock than an SNL cold open.

The Breakdown:

  • The Succession Revelation:

    • Is Tina ready to sit in the throne of sketches? Or maybe she’ll turn 30 Rockefeller into a shrine to Palin complete with moose heads and ‘I can see Russia’ t-shirts.
  • The Comedy Crown:

    • It’s heavier than it looks. Does Fey have the neck strength to bear the weight? Or will she crumble like a weak SNL sketch no one remembers by Tuesday?
  • The Almighty Michaels Approves:

    • Lorne giving his nod is like Zeus giving a mortal a lightning bolt. But careful, Tina. The last person hit by lightning looked a bit frazzled, and you still need to rock those glasses.
  • The SNL Empire:

    • Can Tina maintain the comedy fiefdom and navigate the Knights of the Writers’ Room without turning it into a Game of Thrones bloodbath, punchlines included?
  • The Future of Funny:

    • Will Tina’s potential rule usher in an era of golden giggles or will future historians look back at the show as a fallen comedy civilization, with Fey as its Nero playing the fiddle while Studio 8H burns?

The Counter:

  • The Inevitable Comparison:

    • Let’s pretend Fey isn’t her own person and just reduce her to a Michaels 2.0. After all, originality is overrated and let’s face it, SNL loves a good sequel.
  • The SNL Monarchy:

    • Michaels thinks Fey could take over, but what does the court jester say? Oh, right. We fired him for making one too many monarchy jokes.
  • The Almighty Michaels’ Second Thoughts:

    • Does Michaels have a horcrux hidden somewhere in Studio 8H? Is this just a test to see if Fey can be trusted with the dark arts of comedy?
  • The SNL Survival:

    • Maybe Fey will just turn SNL into an improv comedy Thunderdome. Two sketches enter; one sketch leaves. That’s one way to keep Weekend Update fresh.
  • The Future in Fey’s Hands:

    • A future where “Weekend Update” is replaced by “Weeklong Update.” Content so current, it’s already expired by the time it airs. Nah, that would never happen.

The Hot Take:

In true liberal fashion, let’s not just take over a comedy institution, let’s rehabilitate it. We’ll open up free comedy clinics where impressionist hopefuls can learn how to turn political gaffes into punchlines that pack more punch than a policy proposal. We’ll ensure every writer’s room reflects the full spectrum of the political rainbow, ensuring that every viewpoint is roasted equally.

Tina, if you’re up for the task, remember: you’re not just inheriting a show; you’re inheriting a responsibility to keep the nation laughing even when it feels like the joke’s on us. And hey, if all else fails, just fall back on the time-tested SNL strategy: when in doubt, bring in a celebrity guest host. Maybe even one who can see Russia from their house. FYI, Delco rules!

Sabrina Bryan, from Tempe to D.C., has made a splash as a writer with a knack for turning political sandstorms into compelling narratives. In three short years, she's traded desert heat for political heat, using her prickly determination to write stories with the tenacity of a cactus. Her sharp wit finds the humor in bureaucracy, proving that even in the dry world of politics, she can uncover tales as invigorating as an Arizona monsoon.

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